Thursday, February 9, 2012

Smti.Kakali Som's Contribution

                                  Om Namah Shiva

Shiva (Sanskrit: Auspicious One), or Siva is the destroyer and the restorer.

Shiva is the destroyer of the world, following Brahma the creator and Vishnu the preserver. Shiva dissolves in order to create, since death is the medium for rebirth into a new life. So the opposites of life and death and creation and destruction both reside in his character. Lord Shiva was the third deity of the Hindu trial of great gods, the Trimurti. It is also said to represent the three qualities of nature: creation, preservation and destruction, although preservation is usually attributed to Vishnu.

He is known by many names – Mahadeva, Mahayogi, Pashupati, Nataraja, Bhairava, Vishwanath, Bhava, Bhole Nath.

Shiva is referred to as ‘the good one’ or the ‘auspicious one’. Shiva – Rudra is considered to be the destroyer of evil and sorrow. Shiva – Shankara is the doer of good.

He is the oldest and the youngest; he is the eternal youth as well as the infant. He is the source of fertility in all-living beings. He has gentle as well as fierce forms. Shiva is the greatest of renounces as well as the ideal lover. He destroys evil and protects good. He bestows prosperity on worshipers although he is austere. His duty is to destroy all the worlds at the end of creation and dissolve them into nothingness.

Followers of Saivism are familiar with three words: pati, pasu and paasa. Pati is Siva himself, the lord and husband. Pasu is the deluded self that is caught in the cycle of birth and death. Pasa is the bond that binds the pasu to this world and it gains liberation through devotion and surrender to pati.

Attributes

Third eye: The epithet Trinetra refers to this feature. Shiva has a third eye on his forehead which is an eye of wisdom. It is the eye with which he burned Desire to ashes. The third eye is associated with his immense energy, which destroys the evil doers and sins. Shiva’s third eye first appeared when Parvati, his wife, playfully covered his other two eyes, therefore plunging the world into darkness and putting it in danger of destruction. His three eyes represents the three worlds, the sun, the moon and the earth, the three paths of liberation and the triple nature of creation.

Crescent moon: Shiva bears on his head the crescent of the fifth day moon. The epithet Chandraśekhara refers to this feature. This is placed near the third eye and shows the power of Soma, the sacrificial offering, which is the representative of moon. It means that Shiva possesses the power of procreation along with the power of destruction. The moon is also a measure of time thus the Crescent also represents his control over time. The moon is a symbol of Kama the goddess of nightly love. With the moon there, his head becomes the night sky, for which he earned the name Vyomakesa (one who has the sky or space as his hair).

Ashes: Shiva smears his body with cemetery ashes that points the philosophy of the life and death and the fact that death is the ultimate reality of the life. One epithet for Shiva is “inhabitant of the cremation ground” (spelled Shmashanavasin), referring to this connection.

Matted hair (Jata): Shiva’s epithet Jatin, “the one with matted hair” refers to this feature. The flow of his hair represents him as the lord of wind or Vayu, who is the subtle form of breath present in all living beings. Thus it is Lord Shiva that is the lifeline for all living being. He is Pashupatinath. His long matted hair denotes his spiritual life and his great powers.

Blue throat: The epithet ‘neela kantha’ refers to a story in which Shiva consumed the poison churned up from the world ocean to save the world destruction.

Sacred Ganga: The Ganga River flows from the matted hair of Shiva. The epithet Gangadhara refers to this feature. A legend from the Ramayana speaks of King Bhagirath who once meditated before Lord Brahma for a thousand years for the salvation of the souls of his ancestors. Pleased with his devotion Brahma granted him a wish. He requested the Lord to send the river Ganges down to earth from heaven so that she could flow over his ancestors’ ashes and wash their curse away and allow them to go to heaven. Brahma granted his wish but asked him to pray to Shiva, for he alone could support the weight of her descent. Accordingly he prayed to Shiva and he captured her in his hair to avoid that she would flood all of Earth.

Tiger skin: He is often shown seated upon a tiger skin, with the tiger representing the mind. The tiger is the vehicle of Shakti, the goddess of power and force. The tiger skin that he wears symbolizes victory over every force. Tigers also represent lust. Thus sitting on Tiger skin, Shiva indicates that he has conquered lust. The tiger skin signifies his ability to control and transform animal nature.

Serpents: Shiva is often shown garlanded with a snake. Shiva is beyond the powers of death and poison. The cobras around his neck also represent the dormant energy, called Kundalini, the serpent power and it also represents creation and the journey from one body to other just like the snake sheds its skin. It also represents his control over desire and sensuality.

Trident: The three head of Shiva’s Trishul symbolizes three functions of the triad – the creation, the sustenance and the destruction. The trident represents the three qualities, namely sattva, rajas and tamas.

Drum: A small drum shaped like an hourglass is known as a damaru. The drum in the hand of Shiva denotes his connection with the primal sound AUM, the creation of alphabets, languages, grammar and music.

The Tripundakara: Tripundakara is three lines of ashes drawn on the forehead that represents the essence of our being, which remains after all the impurities of ignorance, ego, action and vasanas that have been burnt in the fire of knowledge.

Rudraksha: Rudraksha mala – a rosary made of the dried fruits of the Rudraksha tree. Shiva Rudraksha is supposed to have medicinal properties.

As auspicious and reproductive power, he is worshipped in the form of the shivling or shivalinga (lingam). Shiva temples have Shiva-Linga as the main deity. Shiva is conceived in his unborn, invisible form as the Lingam. It is always accompanied by the Yoni, which is the female principle, surrounding the base of the Lingam. The Lingam represents the male creative energy of Shiva.

When Shiva does not find any interest in the pleasures of life, he left everything, closed his eyes and started meditating. Shiva’s meditation generated so much heat that his body transformed into a pillar of fire – a blazing lingam that threatened to destroy the whole world. Suddenly there appeared a yoni - the divine vessel of the mother-goddess. It caught the fiery lingam and contained its heat, thus saving the world from destruction.

On the physical plane, the object resembles the male sexual organ, suggestive of the creative power of Siva. The circular base resembles that of the female, suggestive of his consort Parvathi. Physically a Sivaling is a phallic symbol, representing the male and female sexual organs in a state of wedded happiness. Mentally it symbolizes the union of mind and body. Spiritually it represents the union between Purusha and Prakriti, the highest principles of the manifest universe.

The Sivaling is also symbolic of the Supreme Self. In this aspect it has three parts. The lower part represents Brahma. The middle part, which is octagonal in shape, represents Vishnu. The upper part, which is cylindrical in shape, represents Rudra and is also called Pujabhaga since it receives the actual offerings of milk and other substances.

According to another legend, once Brahma and Vishnu had an argument as to their supremacy. Brahma being the Creator declared himself to be more esteemed, while Vishnu, the Preserver, pronounced that he commanded more respect. Just then an enormous ‘lingam’, known as Jyotirlinga, blanketed in flames, appeared before them. Both Brahma and Vishnu were awestruck by its rapidly increasing size. They forgot their quarrel and decided to determine its size. Vishnu assuming the form of a boar went to the netherworld and Brahma as a swan flew to the skies. But both of them failed to accomplish the self-assumed tasks. Then, Shiva appeared out of the ‘lingam’ and stated that he was the progenitor of them both and that henceforth he should be worshiped in lingam form.

He is also known as Bholenath for his innocence attitude. His body color is white which denotes his purity and association with the snowy mountains. He is generally shown sitting cross-legged in a yogic posture, with his eyes closed and deep in meditation. He has four arms. With one he holds his weapon the trident. With another, he holds Damaru, a small drum. The remaining two are held in abhaya and varada postures. Sometimes in his ferocious aspects, he is shown wearing a garland of skulls. Shiva holds a skull that represents samsara, the cycle of life, death and rebirth. Shiva himself also represents this complete cycle because he is Mahakala the Lord of Time, destroying and creating all things.

Shiva is the god of the yogis, self-controlled and celibate, while at the same time a lover of his spouse (shakti). His epithet Mahayogin (“one who practices Yoga”) refers to his association with yoga. Shiva’s first wife was Sati and his second wife was Parvati, the daughter of Himavaan and Haimavati, also known as Uma, Gauri, Durga, Kali and Shakti. His epithet Umapati (“The husband of Uma”) refers to this. His sons are Ganesha and Kartikeya. Shiva lives on Mount Kailasa in the Himalayas.

Minor Deities of Siva

Nandi: The vehicle of Shiva is the white bull called Nandi (symbol of happiness and strength). The bull is said to embody sexual energy, fertility. Riding on its back, Shiva is in control of these impulses. Symbolically Nandi represents the animal or the tamasic qualities in man which Siva rides and transforms with his energies.

Bhringi: He was originally a demon named Andhaka, who was transformed by Siva into a humble devotee and admitted into his force as a commander of his armies. Bhringisa was so loyal to Siva that in his state of devotion he would not offer his worship to any one including Parvathi. Once when he saw Shiva in his Ardhanariswara form, he tried to admit through the middle of the body in the form of a bee to complete his honor to only the Siva side of the form, much to the annoyance of Parvathi. Bhringi who got his name thus was made to realize his mistake and change his behavior by Lord Siva.

Virabhadra: He is Siva in his ferocious mood. Siva manifested himself as Virabhadra, when Daksha, his father in law, ill treated and insulted his wife Sati, Daksha’s own daughter, in front of a large gathering. Unable to cope with the insult, Sati finished herself. Shiva got angry and beheaded Daksha’s. The images of Virabhadra depict the anger and ferocity of Siva in that destructive mood, wearing a garland of skulls, and with four arms holding four different kinds of weapons.

Chandesvara: He is an aspect of Chandi in human form later elevated to the status of divinity, to signify the connection between Siva and Chandi, or Durga. Chandesvara is a ferocious god, holding weapons of war and ready to do battle for a divine cause.

Nataraja: Nataraja literally means lord of the dance. Shiva Nataraja’s dance represents both the destruction and the creation of the universe and reveals the cycles of birth, death and rebirth. The lord is surrounded on all sides by a circular ring of fire. The ring represents the whole of creation. Nataraja holds a tongue of flame in his upper left hand. The fire represents the final destruction of creation. As a creator he creates, upholds and also destroys the worlds. The upper right hand holds a drum, suggestive of the sound of breath, the sound of life, and the vibrations underlying all currents of creation. It also stands for the male-female vital principle. The lower left hand is held in an assuring mode (abhaya-mudra) suggesting being without fear. The second right hand is shown pointing towards the downside with the palm upside drawing our attention to the figure lying beneath his feet indicating the release from earthly bondage of the devotee. With his hair flying in all directions and hands and feet in dynamic motion, the image of nataraja is a symbol of harmony and rhythm. The tiger skin worn by the deity suggests that even God has respect for the rules of right conduct and the dharma he has established in the manifest creation for the guidance of the souls. The snake around his waist enjoying the dance with a raised hood is suggestive of the kundalini-shakti that remains ever awakened in Siva and is in unison with him. Under his feet, Shiva crushes the demon of ignorance called Apasmara Purusha, caused by forgetfulness. On his head is a skull, which symbolizes his conquest over death. The whole idol rests on a lotus pedestal, the symbol of the creative forces of the universe.

This cosmic dance of Shiva is called ‘Anandatandava,’ meaning the Dance of Bliss, and symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death. The dance is a symbol of the five principle manifestations of eternal energy — creation, destruction, preservation, salvation, and illusion.

The two most common forms of the dance are the Tandava, which later came to denote the powerful and masculine dance with the destruction of the world, and Lasya, which is graceful and delicate and expresses emotions on a gentle level and is considered the feminine dance attributed to the goddess Parvati. Lasya is regarded as the female counterpart of Tandava. The Tandava-Lasya dances are associated with the destruction-creation of the world.

His other dance forms include, Ananda-tandava-murhty, dancing in a pleasant and cheerful mood, Uma-tandava-murhty, dancing in the company of Parvathi, Tripura-tandava-murthy, dancing while slaying Tripurasura and Urdhva-tandava-murhty, dancing in the air.

Aspects of Lord Siva

Panchavaktra Siva: Shiva’s body is said to consist of five mantras, called the pancabrahmans. These five faces are Aghora facing the south (resides in the cremation grounds), Ishana facing south east (most often appears as the shivalingam), Tat Purusha facing the east (meditating), Varna Deva facing north (the eternal Shiva) and Saddyojat or Braddha Rudra facing west (the old wrathful form). These are associated in various texts with the five elements, the five senses, the five organs of perception, and the five organs of action.

Anugrahamurthy: This is the milder or peaceful aspect of Lord Shiva when he is in the company of his beloved devotees or his family members.

Ugramurthy: Also known as Raudra, Bhairava, Kankala or Samharamurthy, this is the ferocious or angry form of Siva, generally associated with the events during which Siva assumed his terrible form to slay the demons or the wicked. The following are his well known terrible forms:

Kankala-bhairava: The form which he assumed after cutting off the fifth head of Brahma
Gajasura-vadha-murthy: The form he assumed while killing a demon named Nila
Tripurantakmurthi: The form he assumed while destroying the three cities of gold, silver and iron built by the three sons of Andhakasura.
Sarabhesa-murthy: The form in which he allegedly fought and killed, Narasimha, the incarnation of Vishnu.
Kalari-murthy: The form in which he fought and defeated Yama to save his devotee Markandeya.
Kamantaka-murthy: The form in which he destroyed Manmadha, the god of lust, for disturbing him while doing penance.
Andhakasura-vadha-murthy: The form in which he defeated Andhakasura, who subsequently joined his forces as his commander and became popular as Bhringi.
Bhairava-murthy: The form generally found in connection with the secret cults of Tantricism that involve his worship in the cremation grounds and grave yards.

Dakshinamurthy: Dakshinamurthy literally describes a form of Shiva facing south. This form represents Shiva in his aspect as a teacher of yoga, music, and wisdom and giving exposition on the shastras.

Lingodhbhava-murthy: This image signifies the importance of Siva in the form of Linga as the Supreme Self, without a beginning and without an end.

Bhikshatana-murthi. This is Siva in his ascetic aspect, wandering from place to place, with a begging bowl made of human skull, doing penance or lost in his own thoughts.

Hridaya-murthy: Also known as Harihara or Sankaranarayana, this is Shiva in a mood of reconciliation and friendship with Vishnu.

Ardhanariswara: This Siva and Parvathi together in one form signifying the unity of Purusha and Prorate. Ardhanarishvara shows him with one half of the body as male and the other half as female.

Mrutyunjaya: Literally translated as “victor over death”, this is an aspect of Shiva worshipped as the conqueror of death as manifested in the Hindu lord of death, Yama. The particular legend in question deals with the sage Markandeya, who was fated to die at the age of sixteen. On account of the sage’s worship and devotion to Shiva, the lord vanquished Yama to liberate his devotee from death.

Tripurantaka: Lord Shiva is often depicted as an archer in the act of destroying the triple fortresses, Tripura, of the Asuras. Tripura has been considered by many scholars to mean the three kinds of bodies of man viz. Sthula sharira—the external embodiment, Sukshma sharira—the intellectual corpus, and Karana sharira—the consciousness or the soul.

Astamurti: Astamurti represents the eightfold appellations of Shiva in forms of Bhava as Existence, Sarva as the great Archer, Rudra as the giver of sorrow and sufferings, Pasupati as the Herdsman, Ugra as the Fearsome, Mahan, i.e. Mahadeva as the Supreme soul, Bhima as the Tremendous force, and Isana as the Directional ruler of the universe.

Incarnations

Shiva is said to have several incarnations, known as avatars.

Adi Shankara, the 8th-century philosopher of non-dualist Vedanta “Advaita Vedanta”, was named “Shankara” after Lord Shiva and is considered by some to have been an incarnation of Shiva.
In the Hanuman Chalisa, Hanuman is identified as the eleventh avatar of Shiva, but this belief is not universal.
Sage Durvasa is also incarnation of Lord Shiva.

Shivratri

Maha Shivratri is a festival celebrated every year on the 13th night or the 14th day of the new moon in the Krishna Paksha of the month of Maagha or Phalguna in the Hindu calendar. Mahashivaratri marks the night when Lord Shiva performed the ‘Tandava’ and was married to Parvati.

Jyotirlinga

The holiest Shiva temples are the 12 Jyotirlinga temples. They are

Somnath – Prabhas Patan, near Veraval
Nageshwar – Dwarka
Mahakaleshwar – Ujjain
Mallikarjuna – at Bhramaramba-Mallikarjuna Temple, Srisailam
Bhimashankar – near Pune
Omkareshwar – near Indore
Kedarnath – Kedarnath, Uttarakhand
Kashi Vishwanath – Varanasi
Trimbakeshwar – near Nasik
Rameswaram – Rameswaram
Grishneshwar – near Ellora and
Vaidyanath – Deoghar.

Wednesday, February 8, 2012

Mr.Satwik Joglekar's Contribution

Reminiscences of Revered Awami Adbhutanadaji
 (Srimat Latu Maharaj):
Submitted By:Satwik Joglekar

Once Sri Ramakrishna interrupted Latu’s meditation and told him, “You are sitting here while she in nahabat has no one to help her knead the dough for chapattis [Indian flat bread].” Then he took Latu to Holy Mother and told her that this boy was very pure; he would help her in whatever way she needed. Thereafter, Latu would help Holy Mother with the household work.

Swami Siddhananda wrote about Holy Mother’s loving attitude toward Latu:“At Vrindaban there were no fixed times for Latu’s meals. He would come at odd hours to Mother or her companions and ask for something to eat. Moreover, he would sometimes feed some of Vrindaban’s monkeys with his share of food. The other women were understandably annoyed by this and they would scold him; but Mother was never annoyed by his childlike behaviour, and she would ask Lakshmi Didi and Golap Ma not to rebuke him. She herself would sit by Latu and serve him with motherly affection. Mother knew her child very well, and she knew that his feelings were easily hurt. She asked her companions to keep Latu’s meals well-covered in a certain place so that he might come at any time and take his meals as he liked.”

At Khetri, Latu Maharaj talked with the Maharaja, who was a disciple and friend of Swamiji, with such intelligence that the Maharaja had no idea that he had had no formal education. In fact he enjoyed talking to Latu Maharaj so much the he mentioned it to Swamiji. Swami Dhirananda, a disciple of Swami Vivekananda, related: “One day the Maharaja of Khetri brought out a globe and started pointing out various countries to Latu Maharaj. Latu Maharaj had never seen a globe before. Swamiji understood the situation immediately and came forward to his brother disciple’s help, giving such a turn to the conversation that the Raja could not know that Latu Maharaj had had no schooling.”

Swami Saradananda once told Mahendranath Datta (Swami Vivekananda’s brother): “You know, at night that fellow Leto doesn’t sleep at all. During the first part of the night he pretends to be asleep and even snores; but he keeps his rosary with him, and when the others are asleep he sits up and starts counting his beads. One night I heard the ticking of beads and thought a mouse might have come in the room. When I gave a rap the sound stopped. A little later the ticks began again. This went on for a while, and I began to suspect that it might not be a mouse. The next night I stayed awake and was very watchful. The moment I heard the first tick, I struck a match and found Leto sitting up, counting his beads. Then I laughed: ‘Ah, you mean to surpass us all! While we are sleeping, you are counting your beads!’”

One of his brother disciples, Swami Turiyananda, said of him: “Many of us had to go through muddy waters of intellectual knowledge before we attained God, but Latu jumped over them like Hanuman. His life teaches us how to live in God without touching the dirt of the world.”
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SMTI.JAYASHREE MUKHERJEE'S CONTRIBUTION

SWAMI SHANKARANANDAJI THE 7TH PRESIDENT OF RAMAKRISHNA ORDER


Swami Shankarananda was the seventh President of the Ramakrishna Math and Ramakrishna Mission-was born on Tuesday, 9 March 1880 at his material uncle's house at Baje Pratappur in Hooghly district of West Bengal. His pre-monastic name was Amritalal Sengupta. His father Navinkrishna Sengupta was an engineer. Due to his posting at various places, Amritalal had to move about frequently, with the family.

Swami Sadananda, the first monastic disciple of Swamiji, was his   distantly related maternal uncle in his pre-monastic life. As a child Amritalal had a glimpse of Swami Vivekananda after his return from the West. From his childhood, Amritalal was very energetic, yet possessed a gentle disposition. His gentleness developed remarkably in his monastic life. .His pre-monastic name was Amritalal Sengupta.

He left home in 1902 and joined at the Belur Math. He was initiated by Swami Brahmananda who had developed great liking for the boy and fondly called him Amulya, meaning 'precious'. Eventually, he became popular as Amulya Maharaj.

Amulya was initiated into sannyasa by Swami Brahmananda in 1906. He served his guru as his attendant. He moulded his life under the active guidance of Swami Brahmananda. Amulya's visits to various places in India with Sister Nivedita and a visit to Japan with Swami Sadananda, helped him to gather educative experiences related to culture, religion and architecture. He was instrumental in building the monastery at Bhubaneswar, under the guidance of Swami Brahmananda. Many important temples like the temples of the Holy Mother and Swami Brahmananda were later built under his supervision. Swami Shankarananda was austere and meditative by nature and took up spiritual discipline at places like Darjeeling, Bhubaneswar, Puri and other places.

Swami Shankarananda became a Trustee of the Ramakrishna Math and a member of the Governing Body of the Ramakrishna Mission, in 1910. He served as one of the Joint Secretaries of the Order since 1929 and later became its Treasurer in 1938. For brief periods he served as the head of the Bhubaneswar Centre and also of the Delhi Centre of the Order. In 1947, he became a Vice President of the Order. After the passing away of Swami Virajananda, the mantle of the office of Presidentship fell on Swami Shankarananda on 19 June 1951. He was a man of few words and outwardly maintained a stern appearance, but had motherly love and concern for all. His tenure as the President of the Order was marked by the consolidation of the Ramakrishna Movement in various parts of the country.
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     MY PRANAAM TO SWAMI ADBHUTANANDAJI MAHARAJ ON HIS HOLY  JANMATITHI -THE SACRED MAGHI PURNIMA DAY
----By Smti.Jayashree Mukherjee.

Latu is the greatest miracle of Sri Ramakrishna", Swamiji once said with reference to Swami Adbhutananda. "Having absolutely no education, he has attained to the highest wisdom simply at the touch of the Master". Yes, Latu Maharaj, by which name Swami Adbhutananda was popularly known, was the peer of the Master in this respect that he was entirely innocent of the knowledge of the three R's. Nay, he even surpassed the Master in his ignorance; for whereas the Master could some how manage to read and write, with Latu Maharaj any reading or writing was out of the question.

Once Shri Ramakrishna attempted to teach young Latu how to read and write. But in spite of repeated attempts, Latu pronounced the Bengali alphabet in such a distorted way that the Master, out of sheer despair gave up the attempt to educate Latu. It di d not matter, however, that Latu had no book learning. Books supply us knowledge by proxy, as it were. Latu had direct access to the Fountain-head of knowledge. The result was that great scholars and philosophers would sit dumb at his feet to hear the wo rds of wisdom that dropped from his lips. Sri Ramakrishna used to say that when a ray of light comes from the great source of all light, all book-learning loses its value. His own life bore testimony to his fact.
The early name of Swami Adbhutananda was Rakhturam, which was shortened to Latu. He was born of humble parents in a village in the district of Chhapra in Bihar. His early life is shrouded in obscurity. It was very difficult to draw him out on that point. As a sannyasin he was discreetly silent on matters relating to his home and relations. If anybody would ask him any question about his early days he would sharply answer, "Giving up thought about God, will you be busy about these trifles?". On ce a devotee expressed a desire to write a biography of Latu Maharaj. To this he raised objection saying, "What is the use of writing my life? If you want to write a biography, just write a biography of the Master and of Swamiji. That will be doing good to the world". From details that fell from the lips of Latu Maharaj in his unguarded moments it was known that his parents were very poor-they could hardly make both ends in spite of their hard labour. Scarcely was Latu five years old when he lost both parents. His uncle then looked after him.
Latu left with his uncle his home village for Calcutta and got employment in the house of Ram Chandra Datta, who was a devotee of Sri Ramakrishna. At Ram Chandra's house, Latu heard of Sri Ramkrishna and naturally he felt eager to see him. At the very first meeting, brought about in this way, the Master was greatly impressed with the spiritual potentiality of the boy, and Latu felt immensely drawn to the Master even without knowing anything about his greatness.
The Master went to Kamarpukur for about eight months. When the Master returned back, he felt the necessity of an attendant. When he proposed the name of Latu to Ram Chandra, the latter at once agreed to spare him. Thus Latu got the long-wished-for opp ortunity of serving Sri Ramakrishna.
After the demise of the Master, Latu embraced monastic life and became `Swami Adbhutananda.' Though he lived a mendicant's life, he seldom moved away from Dakshineswar, his holiest place of pilgrimage. Through hard austerity and long bouts of meditation he was able to live constantly in God.

He lived for an unusually long period of nine years at the house of Balram Bose, another great devotee of Sri Ramakrishna. It was during this period that many earnest seekers would meet him and get their doubts resolved.He spent his last days at Varanasi

Swami Adbhutananda ji had spent the last part of his life in the holy city VARANASI from 1912 to 1920.

He did not live in ADVAITA ASHRAMA or in Ramakrishna Sevasrama but his divine and high spiritually enriched life was a great shelter for the monks of both the ashramas.
From Balram Mandir Latu Maharajji at first arrived at the ADVAITA SHRAMA-but later understanding the difficulty for a lack of space he started living in some Sri Kundu’s house for one week.Next he went to live in the house of Sri Bangshi Dutta and lived there
for some time. When he got the news that some relatives of Sri dutta are coming to that house he took a rented house –no.68 in pnade hawli.He lived in that house for four years.At the end he took another house on rent – No. 96 in Hadarbag and lived in that house till the last day of his holy life.

Latu Maharaj always had the vision of Shiva in the holy Lingam of KASHI VISWANATH.So he alwayays used to tell everyone “ Pavitra hao ,pavitra hao” ( be pure in heart ).people used to gather around him all the time to listen to his holy words. His helper Swami Siddhanandaji used to keep a record of his holy words and later all his words was published as a book named “Satkatha”.His days in the holy city of Varanasi was being spent in Japam,Meditation and Satsangam. He harly had any interest in eating or any other needs.Whenever he used to speak about Thakur and Swamiji his face used to glow with a divine glow and the devotees used to listen to words and watch him in a mesmering daze!
He went to Mahasamadhi on 24th April 1920. Swami Turianandaji who was in Varanasi Sevashrama at the house called “Ambika dham” used to go and meet him regularly although he too was very ill at that time.Later after the Mahasamadhi of Latu Maharaj he wrote a very memorable letter to Miss Josephin Macleod – a letter drenched  in .rief for the loss  of a loving brother :

“ Swami Adbhutananda – Latu Maharaj – is now no more. He breathed his last on the 24th of April. His passing away was indeed wonderful. He entered a meditative state from the moment he fell ill, and remained absorbed in that state until he gave up the
body. He had developed a small blister on his right ankle which developed into gangrene. All the best local medical help was sought, but to no avail; in ten days he expired. He showed no signs of pain during his illness. But the wonder of all wonders was that even after his death when his body was placed in a sitting position to conform with some funeral rites, we found him looking so beautiful, so serene and full of peace and bliss. His face beamed with light and intelligence unspeakable, as if he were taking leave of his friends for the last time with an exhortation of affectionate benediction. Really, it was a sight for the gods to see.
Latu Maharaj entered into eternal peace and another son of Sri Ramakrishna
joins him, making us feel poorer for this irreparable loss.”

Later Sri Chandra Maharaj the Adhyaskha of the Advaita Ashrama Varanasi built a two rooms in the ashrama to preserve the memories of REV. Latu Maharajji with the help of his devotees. In a room on the upstairs of the northern part of the main building The bedding and cloths used by swami ADBHUTANANDAJI MAHARAJ were broughtWith the help of his devotees on 1st February 1923, being Holy Maghi Purnima day.
A unique oil painting of Swami Adbhtanandaji was also preserved there.The loose saffron cloak,water bowl, a desk for letter writing used by Swami Shivanandaji , some old letters written by SwamiAkhandanandaji and Swami Premanandaji Maharaj kept in an almirah were also preserved there.

The “ SACRED SAFFRON CLOTH” with broad red border one of the pieces that His Guru (SRI RAMAKRISHNA) had gifted to all his disciples at the Cassipur Garden House in Calcutta and all other belongings of Swami Adhbhutanandaji Maharaj was also preserved in this Room.However most of the articles have subsequently been shifted to the Museum At BELUR MATH for preservation.  
Establishment of MAHAVIRA TEMPLE IN ADVAITYA ASHRAMA VARANASI

In the room just below Swami Adbhutanandaji’s room, a beautiful Marble idol of SRI MAHAVIRA with his breast torn open to exhibit the images pf Sri Rama and Devi sita was installed on a marble alter.Swami Shivanandaji who was the then President of RKM was present in Kashi. On the auspicious day of Maghi Purnima He performed the installation ceremony.A special puja of Mahaveera and Homa was performed. A large congregation of the monastics took place and the RAMANAMA SANKIRTANAM was sung in the afternoon.

Swami SHIVANANDAJI announced that since the actual date of birth of SWAMI ADBHUTANANDAJI was not known , the day of Maghi Purnima should hence forward be observed as his birthday            
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In 1885, Sri Ramakrishna Paramahamsa Dev stayed at 55 Shyampukur Street, known as Shyam-pukur Bati, for 70 days after leaving Dakshineswar for treatment of throat cancer. He stayed there before moving to Cossipore Udyanbati.

In this shyam-pukur bati some of the best physicians of the time, including Dr Mahendralal Sarkar, were requested to treat him. When his condition aggravated, he was relocated to a large garden house at Cossipore on December 11, 1885.

The house was visited by many important personalities like :
...
1. Girish Chandra Ghose, noted dramatist who worshipped Sri Ramakrishna as goddess Kali here.

2. Holy mother Sri Sarada Devi came to this house from Dakshineshwar to look after Sri Ramakrishna and cooked food and prepared medicine for him.

3. Narendranath Dutta who later became Swami Vivekananda and his brother disciples left their homes and started staying with Sri Ramakrishna.

4. Nati Binodini, the famous actress, came to meet Sri Ramakrishna dressed as a European gentleman.

The building was in a dilapidated condition and Sri Ramakrishna Smaran Sangha bought a portion of the house in 1978 and repaired it. It purchased the remaining portion a few years ago. The house is visited by devotees and scholars.

In the museum housed on the ground floor of the building along with the articles used by Sri Ramakrishna - there are some paintings depicting various important happenings of this house during his stay in this house.

The main Lens of the field camera with which the first photograph of Sri Ramakrishna was taken, the first photo print of the Master, the marble-top wooden cot upon which the Master used to sit at Kalipada Ghosh’s house, are on show for the devotees every week from Tuesday to Sunday between 4.00 and 8.00 p.m.


Classes on scriptures are held regularly.
Submitted by Smti. Jayashree Mukherjee
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Sri Ramakrishna on Need of a Guru

Submitted By Smti. Jayashree Mukherjee
A Devotee : Sir, is it necessary to have a guru?"

Sri Ramakrishna : "Yes, many need a guru. But a man must have faith in the guru's words. He succeeds in spiritual life by looking on his guru as God Himself. Therefore the Vaishnavas speak of Guru, Krishna, and Vaishnava.

... One should constantly repeat the name of God. The name of God is highly effective in the Kaliyuga. The practice of yoga is not possible in this age, for the life of a man depends on food. Clap your hands while repeating God's name, and the birds of your sin will fly away.

One should always seek the company of holy men. The nearer you approach the Ganges, the cooler the breeze will feel. Again, the nearer you go to a fire, the hotter the air will feel.

But one cannot achieve anything through laziness and procrastination. People who desire worldly enjoyment say about spiritual progress: 'Well, it will all happen in time. We shall realize God some time or other.'

I said to Keshab Sen: 'When a father sees that his son has become restless for his inheritance, he gives him his share of the property even three years before the legal time. A mother keeps on cooking while the baby is in bed sucking its toy. But when it throws the toy away and cries for her, she puts down the rice-pot and takes the baby in her arms and nurses it.' I said all this to Keshab.


"It is said that, in the Kaliyuga, if a man can weep for God one day and one night, he sees Him.See More



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TEAHINGS OF SWAMI VIRAJANANDAJI - (Kalikrishna Maharaj)-a direct disciple of Swami VIVEKANANDA and the 6th president of RKM
If you have to be in the world at all, make God your world. Set upyour home with Him. Whatever you do, see or hear, think that to be God.It is all play, a game with Him. Know life to be a game in which Mother herself is the Player and you are Her playmate. The world will be ...quite different when and if you know that Mother is playing with you. Then youwill find that in this world there is neither happiness nor misery, good norevil, attachment nor aversion, greed nor jealousy; consequently, alldelusion, self-interest and conflict will vanish and no pairs of opposites can torment you there. All ideas of union or separation, of friend or foe, of high and low, of "I an...d mine" are non-existent in that play of yours with the Divine Mother. There is only inexhaustible bliss, boundless love, and infinite peace. If even a drop of that bliss be experienced the pleasures of worldly objects will seem contemptible. The possession of even an atom of that love will make the whole world dearer than one's dearest ones,and heavenly bliss will be felt through every pore of the body.

There is no fear in that play, no anxiety, no bondage, no weariness;it is always an ever-new play. And what infinite modes of play does theMother know! Endless are the forms and ways in which She plays! Oneloses oneself in the very thought of it and is merged therein. In thatmoment of transcendental ecstasy the play ceases; for who will play then,and with whom? That beatific experience, that state of blissful union, isbeyond the reach of speech and mind! He alone knows who knows! Greatfun! Oh, the great fun!See More




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Teachings of swami Virajanandaji (Kalikrishna Maharaj)-a direct disciple of Swami Vivekananda and the 6th president of RKM

1.To realise God an aspirant must have patience, perseverance, purityof body and mind, intense desire or yearning, the aggregate of the sixattributes, namely
shama
(tranquillity of mind),dama(restraint of thesenses),uparati(giving up attachment to objects),titiksha(remaininguna
ffected amidst all kinds of afflictions),shradha(faith in the words of the spiritual teacher and the scriptures) andsamadhana(concentration of mind on the Chosen Ideal, or God).
...
2.Whatever be the time you devote to japaand meditation - even if itbe only ten or fifteen minutes - do it with all your heart and soul. TheLord is the indweller, the inner guide. He sees your heart; His measure isnot how long you meditate on Him nor how many times you do japa, butyour inner longing.
3.Self-effort (purushakara) is necessary for spiritual attainment.Resolve firmly, "I will realise God through my own efforts by doingspiritual practices," and go on steadfastly practising japaand meditation,seated in proper posture, for at least two hours every morning andevening, for three or four years - and see if you succeed or not.

Courtesy : Paramartha Prasanga By Swami Birajananda



Submitted By: Smt.Jayashree Mukherjee


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Sarada Prasanna Mitra, who later became Swami Trigunatitananda, was born in the village of Naora (Paikhati), 24- Paraganas, at 9.26 p.m. on Monday 30 January 1865.

Submitted By: Smt.Jayashree Mukherjee

Sarada Prasanna Mitra, who later became Swami Trigunatitananda, was born in the village of Naora (Paikhati), 24- Paraganas, at 9.26 p.m. on Monday 30 January 1865.
Sarada had such a wonderful memory that he memorized 108 hymns and salutation mantras on different gods and goddesses before he was fourteen.

Although Sarada was Ramakrishna’s disciple, Holy Mother later gave him formal initiation. As far as the record shows, Jogin and Sarada were the only two monastic disciples of Sri Ramakrishna who were initiated by Holy Mother.

Sarada continued his visits to the master, serving him during his last days. Sometimes he stayed overnight, enduring his fathers’ scolding.

In January 1887 Sarada and other disciples performed the viraja homa, a special fire sacrifice, in front of Sri Ramakrishna’s picture and took their final monastic vows. Swami Vivekananda gave Sarada the name ‘Swami Trigunatitananda’. Vivekananda later teased him about his long name and asked him to shorten it, so ‘Trigunatita’ became what he was usually called.

Trigunatita was an extremist by nature. Once he decided to repeat his mantram day and night. His goal was ‘God-realization or death by starvation’. Shivananda was very concerned about this young brother monk, and tried to persuade him to come out of his room. Trigunatita did come out, but he refused to eat. At last, it was decided that while Trigunatita ate, Shivananda would touch him and repeat a mantram on his behalf. Thus he hurriedly took his meal and continued his japam.

To spread the message of Sri Ramakrishna in Bengali, Swamiji asked Trigunatita to start the magazine that he had thought of in 1896. Swami Vivekananda contributed one thousand rupees; Harmohan Mittra donated another thousand. These contributions enabled Trigunatita to buy a press and inaugurate the publication of Udbodhan. Trigunatita rented a couple of rooms at Combuliatola Lane, Kolkata, for the magazine, laboring on this pioneering job alone, without any previous experience. His main assets were his sincerity, patience, perseverance and above all love for the ideal. As he had no monastic assistants at first, Trigunatita was the editor, proofreader, manager, and supervisor of the press; and when the typesetters were sick, he had to compose the type also. Sometimes he would go door to door to collect subscriptions, since his funds were limited he didn’t travel by tram; instead, he would walk ten miles a day. Sharat Chandra Chakrabarty, a disciple of Swami Vivekananda, recorded the following in his Talks with Swami Vivekananda

Disciple: “Sir, it is impossible for any other man to exert himself as Swami Trigunatita is doing for the magazine.”

Swamiji: “Do you think these monastic children of Sri Ramakrishna are born simply to sit for meditation under trees lighting dhuni-fires? Whenever any of them will take up some work, people will be astonished to see their energy. Learn from them hoe to work. Look, Trigunatita has given up his spiritual practices, his meditation and everything, to carry out my orders, and he has set himself to work. Is it a matter of small sacrifice? He will not stop short of success!”

Trigunatita edited and managed the Udbodhan for four years.

courtesy RAMAKRISHNA MISSION VIVEKANANDA MEMORIAL,VADODARA

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VEDANTA SOCIETY OF SAN FRANSISCO ESTABLISHED BY REV. SWAMI TRIGUNATITANANDAJI-A DIRECT DISCIPLE OF SRI RAMAKRISHNA


Submitted By: Smt.Jayashree Mukherjee
Its roofline an architectural confection of fanciful domes and graceful galleries, the Old Vedanta Temple at the corner of Webster and Filbert Streets is a vibrant landmark of the Cow Hollow neighborhood. The spirited architecture of this building, however, has a firm spiritual foundation.

... The structure is said to be the first Hindu Temple in the Western Hemisphere. From 1905 until the community outgrew the space and dedicated the “New” Vedanta Temple in 1959 at Fillmore and Vallejo Streets, just a few blocks away, the Old Temple served as the home for what became the Vedanta Society of Northern California. An early pamphlet published by the Society noted that the Temple “…may be considered a Hindu temple, a Christian church, a Mohammedan mosque and a Hindu …monastery.”

Joseph A. Leonard was chosen as the architect and worked with Swami Trigunathiandaji on the design. The first two floors were completed in 1905. Leonard (1849-1929) was an eclectic architect and developer who delivered a large Edwardian structure with undeniable Queen Anne touches.

In 1907-08, Swami Trigunathiandaji explicitly directed the design of an exuberant third floor: five hollow domes and the graceful, lobated arches of the gallery. Thus, the domes of the Old Temple acknowledge in sheet metal and wood the Vedanta philosophy of universality.

The crenulated dome that looks down on Webster Street honors Christianity, seen as a European, Western religion. The corner dome is a double bulb, patterned on that of a Hindu temple in the Bengal region of India. The easternmost Filbert Street dome is a two-stage octagon. It represents a Shivite temple in India, but is topped with an Islamic crescent that is itself crowned by a trident.

The next dome, moving west, is the “Hershey kisses” dome, a miniaturized replica of a temple in Benares (in Uttar Pradesh, India), also reminiscent of the onion domes of Russian Orthodox architecture. The final dome above Filbert Street is a copy of the Moghul architecture of the Taj Mahal.See More


Submitted By: Smt.Jayashree Mukherjee
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Swami Shankarananda
Submitted By: Smt.Jayashree Mukherjee
He left home in 1902 and joined at the Belur Math. He was initiated by Swami Brahmananda who had developed great liking for the boy and fondly called him Amulya, meaning 'precious'. Eventually, he became popular as Amulya Maharaj.

Amulya was initiated into sannyasa by Swami Brahmananda in 1906. He served his guru as his attendant. He moulded his life under the active guidance of Swami Brahmananda. Amulya's visits to various places in India with Sister Nivedita and a visit to Japan with Swami Sadananda, helped him to gather educative experiences related to culture, religion and architecture. He was instrumental in building the monastery at Bhubaneswar, under the guidance of Swami Brahmananda. Many important temples like the temples of the Holy Mother and Swami Brahmananda were later built under his supervision. Swami Shankarananda was austere and meditative by nature and took up spiritual discipline at places like Darjeeling, Bhubaneswar, Puri and other places.

Swami Shankarananda became a Trustee of the Ramakrishna Math and a member of the Governing Body of the Ramakrishna Mission, in 1910. He served as one of the Joint Secretaries of the Order since 1929 and later became its Treasurer in 1938. For brief periods he served as the head of the Bhubaneswar Centre and also of the Delhi Centre of the Order. In 1947, he became a Vice President of the Order. After the passing away of Swami Virajananda, the mantle of the office of Presidentship fell on Swami Shankarananda on 19 June 1951. when Ramakrishna mission in delhi constructed the Sri Ramakrishna temple-the consecration  of Ramakrishna and prana-pratishtha of the image of Sri Ramakrishna was performed by Swami Shankarananda, the then President of the Order, on November 28, 1957 at 8.15 am in the presence of a large number of monks and devotees who had come from various parts of India.
 He was a man of few words and outwardly maintained a stern appearance, but had motherly love and concern for all. His tenure as the President of the Order was marked by the consolidation of the Ramakrishna Movement in various parts of the country.


Submitted By: Smti. Jayashree Mukherjee

Submitted By: Smti. Jayashree Mukherjee